![]() ![]() Later guitars with the three visible pickups and/or slant frets were built on a slightly differently shaped body, and were never officially named by Fender as Marauders but some historians refer to these experimental guitars as “Type II Marauders”. Leo Fender had intended to put the guitars into production, but it never happened because the company sold to CBS before production could begin. ![]() These six guitars were given away to local guitar shops. Only six 1964-65 Fender pre-production models are known to have been made but they never made it past the prototype stage, allegedly because the hidden pickups were either too expensive for mass-production or the technology itself was too expensive to license. The name Marauder is a reference to the hidden pickups being akin to a masked marauder. This was a really interesting concept that allowed the instrument to be played without the protruding pickups getting in the way. The original prototypes, known as the “Type I” had four pickups, all of which were hidden beneath the pickguard. ![]() The Fender Marauder was a model developed in the mid-60s and it has a very intriguing history. While you can buy aftermarket baritone conversion necks, but it would be nice to see another production run of a Fender Baritone SubSonic. They also made a Baritone SubSonic Telecaster. They perfectly fill in that empty space between bass and guitar. These guitars have been employed by artists like Jim Root of Slipknot and Pete Loeffler of Chevelle to achieve drop tuned riffs. They came with a stock setup for B Standard tuning, but a 27″ scale is said to be favorable for anything from A Standard to C Standard. The bodies were typically made of alder and featured a hardtail string-through body construction. These were Strat bodies with a 27″ scale baritone neck. This guitar was only made for a very short span of time around the year 2000. ![]()
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